The Music Scene
Here is the music video of The Music Scene by Blockhead. Anthony Francisco Schepperd created the entire project just under 5 months, only working within Flash.
Here is the music video of The Music Scene by Blockhead. Anthony Francisco Schepperd created the entire project just under 5 months, only working within Flash.
Exclusive new video for Sébastien Tellier’s Look from the album Sexuality !
Directed by Mrzyk & Moriceau.

Yesterday was the annual Oscar awards and the winner of short animation was Logorama, a short 3D movie made entirely out of logos. The concept is pretty interesting, because that is is close to the truth: everything around us is branded. Unfortunately, the story is weak, making the logos more like a gimmick, no matter how cool it looks like.
Ignore the preview video above and just go here to see the full Logorama.
It’s made by the French collective H5, who is known to make awesome animated music videos like Royskopp’s Remind Me and Goldfrapp’s Twist.

Here’s another music video they made, At The End Of The Sky from Darkel.
Impressive music video for OK Go’s new single “This Too Shall Pass” from their album “Of the Blue Colour of the Sky”. A crazy amount of preperation and thought must have gone into constructing this contraption, with some really neat tricks between the stages.
Strangely enough, the song has two official music videos for it, you can see the other one below:

An abstract music video for Yoshinori Sunahara’s “Lovebeat” which has geometric shapes visualize the song. Directed by Junji Kojima, who is experienced in the field of commercials and music videos and has founded the studio “Teevee Graphics“.

He has also done a few short films as well, like this hilarious short tutorial about sushi (and some of the Japanese absurt traditions).

A stop motion video where there’s animation on shirts! Over 222 shirts have been used in this Rhett & Link music video directed by Joe Penna. Here’s some info from YouTube:
We changed shirts over 100 times each, taking individual pictures of each unique shirt. The designs on the shirts are not photoshopped. They are real shirts for each frame of animation. The video was exported at 30fps, while the T-shirt animation moves at 6fps (with a few exceptions where it moves faster) So, for each shirt, we took 5 pictures, so the animation of us (Rhett&Link) moves at 30fps, but the T-shirt animations move a bit slower. There are a few places where the motion seems so smooth that it looks like video. That’s because, in those parts, there was no changing in T-shirts, and Joe used burst mode to capture the frames, making it look very smooth.
It’s smart how this doesn’t only meant to sell their music, but shirts as well!